‘Love at first sight becomes love at first light in this charming play which finds its spark in the dark’
Blending the spirit of classic music hall with the witty, Victoria Wood esq observational charm, this delightful musical explores the frustrations of writer’s block, proving that sometimes the perfect creative breakthrough starts with a biscuit break.
Directed by Hannah Docherty and writer Mairead Dunsmore, who both appear as neighbours Rowan (Docherty) and Charlie (Dunsmore), whose paths unexpectedly cross during a power cut in their block of flats, caused by Charlie’s bargain vintage lamp. Rowan, a talented musical theatre writer, is paralysed by writer’s block, unable to find the right words to complete a romantic musical, six years in the making. When an upbeat Charlie knocks at the door, they bring warmth, humour and much-needed optimism, slowly helping Rowan rediscover both their creativity and themselves.
Dunsmore’s writing is rich with metaphor, wordplay and clever homonyms, weaving together the physical circumstances of the blackout with the emotional journeys of its two engaging characters. Samuel Macdonald’s music and lyrics carry along the narrative nicely and showcase the beautiful melodic voices of the actors.
A bold creative choice is that much of the performance unfolds in near darkness, illuminated only by minimal lighting. Rather than feeling restrictive, this beautifully reinforces the play’s central themes: emerging from darkness into light, revealing hidden emotions, and allowing ourselves to truly be seen. The concealed and unspoken feelings between the characters subtly mirror the romantic ambitions hidden within the seemingly conventional cisgender, heterosexual relationship depicted in Rowan’s musical.
The creative use of lighting, sound design and striking silhouettes transforms the darkness into an imaginative musical theatrical landscape, giving visual form to Rowan’s inner world. Charlie’s infectious optimism quite literally becomes the match that strikes the light, which cuts through Rowan’s shadows, both creatively and emotionally.
Overall, the play is very well staged, however some of the blocking was confusing at times when Charlie stayed behind the screen.
At its heart, this is a touching story about connection. It explores what it means to feel truly seen and heard by another person, and how sometimes the right spark can illuminate far more than a room.
Performed as part of the Heading north Fringe Festival at Shakespeare North Playhouse, you can catch The Perfect Match at the Edinburgh Festival Fringe from 17th – 22nd August at Venue 39, theSpace on the Mile.
Review Date: 8th July 2026
Star Rating: FOUR