Italian playwright, performer and theatre director Antonella Fittipaldi brings SCALENO – One Body, Three Voices to Liverpool Fringe 2026, performing at The Studio Beyond from 15 to 17 October at…
‘Conyngham carries all these turns deftly and with seemingly boundless energy on stage’ It’s a rare and joyous thing to see a creative riff on Shakespeare’s plays that is not…
‘the company does a fearless job of putting it across’ “She is not fourteen”: what is this original line used to describe Juliet meant to evoke in audiences? It feels…
‘Renaissance revenge puts the riot into riotously funny’ Based on an anonymous Renaissance play responding to the misogynist writings of self-professed woman-hater Joseph Swetnam, prolific on ye olde new tech…
‘Bowen has written something that stands remarkably well on its own and that would also easily lend itself to other staging ideas’ How much loyalty do we owe to those…
‘The skill demonstrated to create tension. . . is expertly executed’ Lighthouse is set a few years after the end of World War One and placed in an equally masculine…
ARH Admin